Kyoto- Another site visit. - June 23rd #HoUKY
Today was nice. Ugly D got kicked out and sent over to Shunko-in. Thats what making too much noise at night and getting caught watching a movie with a girl in your bed and waking up the head professor does. Especially when you're MARRIED. SHAME ON YOU NICK whatever your last name is. Once I bother to find out your last name, I'll stick it on here so your poor wife will figure out you were pretty much cheating on her while you were here in Kyoto. Ass.
By the way, no one liked you.I'm usually not one to hat on people, but This guy had a vendetta against 3/4 of the people there. We thought he was cool at first, but as he got more comfortable, he got worse. How does a person get worse like that? What a shame, such a smart guy, such an asshole. Anyways, today we went back out to Shijo-Omiya to interview people because we felt that we needed a better understanding of the area. One of our biggest fears was that we would be another set of those western designers who get pulled in to put a new 'twist' to the city. Those projects usually come out to be quite horrible, distasteful, and a few of them even offend any culture left in the area. We wanted to respect the people as much as possible and learn what THEY wanted out of our design to the area. And we had the perfect team to do it with. Amy and I, Quin and Daisuke went out to interview locals around the block, to about a 2 block radius from the 'hub.' Emma and Aaron circled the site to document anything we had missed in our first time few adventures around the city. Peter, had issues getting money out of the ATM. More on that later, or maybe I'll have Peter put a guest entry on here. It was quite the story. Amy and my interviewing started with the director of busses at the core of Shijo-Omiya. Let me explain, at Shijo-Omiya there is a bus/taxi lot that our professor Ron Lovinger says is the core of Kyoto's issues that lacks life. This open lot features two entries into the subway, a place for taxies to wait, and the same for buses. Buses have to drive in and back in, so they need a guy to direct buses to tell them where to turn before running over the small mass of parked bikes and pedestrians moving quickly through the area. This bus director had been here for say 20 years, and lived in the area all his life. He told us the place had died once the subway had moved the express stop two blocks down and totally skipped them. The area used to be lively and shops sprang up everywhere, now it's nothing but a barren land where people just move by. The lot that we speak of used to be a park with grass and a small grove of trees. The two trees remaining in the area are from the old park, they stand alone now sad and lonely, only to be greeted once in a while by a flock of pigeon and the few pedestrians resting underneath their shade waiting for the light to turn green. At first the guy wouldn't talk, then once we got him talking and Amy turned her charm on for old Japanese men (hehe, joking Amy!) the guy wouldn't stop talking. I guess his job gets lonely sitting there for a bus to come every half hour, no real reason to have anyone to talk to. Our second interviewees were the Koban, the mini police stations that sat at every major intersection of every city in Japan. These stations are usually manned by two officers in heavy gear. Bullet proof vests, handgun, mace, and beating stick, all while sitting in their office. Hehe. They talked about pretty much the same thing in fewer words, they were cut short because they had to respond to a small fight at Sanjo Market. It was pretty sweet to see them run off to respond. That night we went to RakuRaku again, this time with a thumbdrive with about 3 gigs of music as a present and thankyou for being awesome to Oregon. Lot of mainstream and underground rap hiphop and r&b. A-N musics, that was all we could fit onto the drive. Another night of amazing food for our ¥1500 each. I love that place, and I'll never forget it. After dinner, Quin and I went for a walk around the temple grounds and the neighborhood around talking about the project and what we saw around us that could influence our concepts. Little things like the sounds coming out from the houses when we stood at a small intersection, one house had laughing and a Japanese drama, another had a groun of friends singing K, another had arguing, and the last was a child practicing piano. The vibrations and noise just coming from all sides, just intersecting on one point and making such a symphony of 'noise.' A controled chaos to be appreciated if one can orchestrate it. Oh, we all live on a single heart beat, we just have different ways of expressing it.




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